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A sweet ’66 Mustang GT has its happy owner seeing red.

1966 was the second year for the GT version of Ford’s hot-selling Mustang. This beautiful example belongs to Jenny Kramm of Ringle, Wis.

“Someday” came a little early for Jenny Kramm.

“I always thought I would get an old car, I just didn’t expect to get an old car so soon,” laughs Kramm, gazing at her gorgeous 1966 Mustang GT fastback. “I felt like I went through the mid-life crisis before I was 30!”

The Mustang unexpectedly came in through the side door of Kramm’s life in 2010 when the last thing she was thinking about was buying a car built long before she was born. She had plenty of doubts at the time, but 12 years later, she’s liking her decision more every day.

“I had liked old cars since I was little, but I wasn’t planning on buying an old car,” says the resident of rural Ringle, Wis., “But then I was working a night shift and talking to a friend and she was saying, ‘One of my buddies is looking to sell his car.’ And I’m thinking it’s probably a piece of junk, but I said, ‘OK, here’s my email and have him email me with pictures and information on the car. And then when I got the email, I was like, ‘OK.’ I thought, ‘Oh, shoot, do I pass this up? Do I give it a try? I’m not really looking for a car at this time.’ I decided we’ll look at in person.”

“So we went and looked at it and he gave me a price and I decided to pass on it, and he said, ‘What could you do for a price?’ And I told him a number and he said, ‘It’s yours.’ He wanted it to stay in the states, otherwise he had a buyer in Australia. He was a local guy and he wanted to keep it in Wisconsin. It was kind of a fell-into-my-lap type of thing, and I decided I couldn’t pass it up.”

A look at the iconic fastback

At that point, Kramm and her boyfriend, Jason Londerville, had a bit of a dilemma. They both had old cars — Londerville was restoring an older Chevelle — and they only had a one-car garage between them. 

“We decided that this one had to go in the garage and we needed to go find some storage for his,” she chuckles.

The couple has put more than 10,000 miles on the Mustang in the past decade-plus, and the car still looks freshly restored. With blazing chrome and hot CandyApple Red paint, it is a stunning ride by almost anyone’s standards.

The car has been almost trouble-free for more than a decade, as well. It runs as good as it looks, except for a little black smoke occasionally when it starts.

 “It smokes a little — I think the guy who owned it was a little hard on it,” Londerville notes. “We think there’s some rings that might be missed up on that bank, but it’s nothing we’re going to worry about now. It runs good.”

The biggest challenge in owning the Mustang so far for Kramm might be fending off offers to buy the car. She has had some persuasive guys try to get her to hand over the keys. 

“We took it to a car show about a month after I bought it and I had people coming up to me saying, ‘Are you ready to sell this?’ I just bought it a month ago, I’m not ready to sell it yet!”

“Every year at [the Iola Car Show in Wisconsin], there is for sure one or two guys that come up and ask me if I will sell them the car. They know the car and know who I am …they come up with business cards [laughs]. Are you ready to sell this year?’”

Three-pedals and a stick grace this beauty. Inside, the Interior Decor Group — generally called the “Pony interior” — was a desirable option with running horses on the seat backs, “pistol grip” style inside door handles courtesy lights on the doors and other goodies.

A HOT CAR GETS HOTTER

Though it was far from the fastest car of the ’60s, the Mustang GT played a big role in building enthusiasm for muscle cars and rarely gets full credit for its contribution to muscle car history. As Car Life magazine put it, “Ford started a round-up of its state-of-the-Total-Performance art to produce the Mustang GT.” But before getting into the go-fast details, let’s review Mustang history a bit.

It is not often that a car comes along and gets to create its own market segment, but that is what happened when Ford introduced the Mustang sporty compact on April 17, 1964. Mustang initiated the all-new “pony car” segment, and the market for the cars was large and long lasting.

There is argument among purists over whether the Mustangs produced prior to September 1964 are 1964 1/2 or 1965 models. However, when it comes to the interesting and collectible GT equipment group, there can be no question, as it was introduced for the first anniversary of the Mustang’s introduction on April 17, 1965.

The Mustang had already become a desirable commodity. Its standard equipment included bucket seats. It had the immediately popular long hood, short deck look. At first it came as a sport coupe (two-door hardtop) and a sporty-looking convertible. In the fall of 1964, a fastback model called the 2+2 was added to the lineup. From the outset, the options list was important in marketing the Mustang. Buyers could add lots of appearance and convenience extras, plus some bolt-on high-performance hardware. However, being based on the low-priced compact Falcon, there was some room for improvement in the go-fast department.

A 289-cid V-8 resides under the hood.

Combining available mechanical features with new visual pieces made the GT package a fairly thorough upgrade. First, the buyer had to order an optional V-8 engine, which, at the time, included the 225-hp Challenger Special 289 at $157, or the high-performance 271-hp/289-cid engine for $430.

The GT option included quick-ratio steering, disc front brakes, chromed dual exhaust tips that exited through the rear valance panel, a new grille bar with fog lamps built in and GT instrumentation — which replaced the Falcon-based instrument panel with five round dials. Throw in GT badging and lower body striping and you had a bargain for around $150.

For 1966, little change was made to Ford’s hot-selling Mustang. You don’t mess with success. Minor updates were all that were needed. A revised instrument panel that looked less like that of the Falcon was used. The grille retained its now-familiar shape, but had the Mustang horse emblem “floating” in the “corral” in its center, with no horizontal or vertical dividing bars. A wind split ornament was added at the end of the “cove” on the body sides.

Federally mandated safety equipment that was formerly optional—including seat belts, a padded instrument panel, emergency flashers, electric windshield wipers (with washers) and dual padded sun visors—were made standard features. To cover the added cost of these must-have items, prices increased $44 for the two-door hardtop, $18 for the 2+2 and $49 for the convertible.

No doubting this is a GT

The GT Equipment Group continued to be available in 1966 as a $152.50 option package for Mustangs with high-performance V-8 power plants. The GT Equipment Group included a dual exhaust system, front fog lamps, special body ornamentation, front disc brakes, GT racing stripes (in place of rocker panel moldings) and handling package components. The handling package (normally $30.84 extra by itself) included increased-rate front and rear springs, larger-diameter front and rear shock absorbers, a steering system with a 22:1 overall ratio and a large-diameter stabilizer bar.

The Mustang’s base V-8 engine for 1966 was the Code “G” 4.00 x 2.87-inch bore and stroke 289-cid with a 9.3:1 compression ratio and an Autolite two-barrel carburetor. It generated 200 hp at 4,400 rpm. The performance options included the Code “A” 289-cid Challenger V-8 with a 10.1:1 compression ratio and four-barrel Autolite carburetor, which produced 225 hp at 4,800, and the Code “K” Challenger High-Performance V-8. This version of the “289” featured a 10.5:1 compression ratio, a four-barrel Autolite carburetor and solid valve lifters, which helped it to make 271 hp at 6,000 rpm.

A Mustang 2+2 with the Challenger High-Performance V-8 could do 0-to-60 mph in 7.6 seconds and needed about 15.9 seconds to make it down the quarter-mile.

The GT package proved to be twice as popular as it had been in 1965 and its sales increased from about 15,000 the earlier year to approximately 30,000.FROM WEST COAST TO MIDWEST

According to the history that was passed on to Kramm, her ’66 was a California “barn find” before it ever touched Wisconsin soil. It isn’t clear how long the car sat, or how many previous owners it had, but the previous owner brought the Mustang from California and had it restored at Kuyuth’s Body & Custom in Stratford, Wis. The car was obviously repainted and given new interior upholstery. The 289 V-8 was punched out to push the horsepower up closer to 325 hp and had a slightly hotter cam installed, along with some growling Flowmasters. Otherwise, the GT is stock, down to its factory red color.

According to the documentation Kramm received, the car was originally ordered with the 289 four-barrel, four-speed and front disc brakes. It has the Interior Décor Group with “Pony” interior and console, fog lamps, GT Rally Pac and GT rally wheels.

“It was almost like a points restoration. You look under hood and they put all the correct markings on it and everything,” Londerville notes. “There is an aftermarket radio in the trunk.”

“But the dash radio still does work!” Kramm pointed out. “It’s AM/FM radio, which is a little uncommon for that year.”

Even after having the car for 12 years and taking it to plenty of shows, Kramm knows the question is still coming: “Is that your car?” She doesn’t take offense. She knows she is often the only female car owner at the shows and cruises she shows up at, and certainly the only one that usually shows up in a hot red Mustang. “It’s a lot of fun to see people’s reactions, especially if I’m driving. ‘Is that her car, or did she steal it?’ That type of thing,” she says. 

“I got it a lot when we went to car shows. People would be talking to him and asking, ‘Who’s car is this.’ And his sister had a sweatshirt made for me that said, ‘Not my boyfriend’s car.’ Nobody believed that I could have a car like this.’ I think sometimes it gets awkward, because I didn’t work on it. I didn’t make it look like this, unfortunately. I got it like this. So sometimes people will start talking over my head [laughs].”

Kramm says after a dozen years of good times with the car, she can’t ever see herself parting with it “unless something horrible happened.” These days she says she’s just as happy riding in the passenger seat and letting Jason drive as she is taking the wheel herself. “I really like riding in it, so I can enjoy the ride. Plus it’s got no power steering, so that’s kind of a lot sometimes, too. You baby it a little bit, and you go out driving and you’re cautious, because you don’t know about everybody else on the road.

“You don’t want anything to happen to it, because you’ll never get another one just like it.”

Jenny Kramm with her stunning ‘Stang

View the 10 images of this gallery on the original article

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Three WyoTech students were recipients of the Jessi Combs Foundation (JCF) scholarship, which empowers young women to pursue careers in trades and other male-dominated fields.

WyoTech

LARAMIE, Wyo., (GLOBE NEWSWIRE) – WyoTech, a leading U.S. automotive, diesel, and collision trade school, announced that three of its students—Maggie Daskam, Jade Bovee, and Kaygen Bogle—were recipients of the Jessi Combs Foundation (JCF) scholarship. The scholarship program is one of many ways JCF fulfills its mission to educate, inspire and empower the next generation of trailblazing and stereotype-breaking women.

Maggie Daskam

WyoTech

Maggie Daskam is a member of the Women of WyoTech group, which she describes as very special as it “brings the few females here at school together and helps us get to know each other better.” 

Daskam adds: “From a very young age, my grandpa would always talk to me about the cars he used to have, which made me want a car of my own. So I just started working till I could afford to get a goal car for me. And once I did, it seems I’ve been fixing things on it ever since. Not only did I learn a lot from it right away, but it also helped me realize I liked working on vehicles. Deciding to go to WyoTech was a lot of things for me. I learned lots through my diesel core classes and have been loving my specialty classes—High Performance Power Trains and Chassis Fabrication.” 

Jade Bovee

WyoTech

“I feel honored receiving the support from a very inspirational and well-known name,” said Jade Bovee, who enrolled in WyoTech in September 2021 and began classes in October. “The Jessi Combs Foundation thrills me and very much inspires me to explore and get my name known the same way Jessi did with ‘the fastest woman on four wheels.'”

According to Bovee, her creativity sparked her interest in the automotive field and to seek out WyoTech to pursue her interests. 

“Especially going into the auto body field, I can show and express my own creative ways with cars. I chose to attend WyoTech because their curriculum stands out from other trade schools and programs for my specialty,” she added.

Kaygen Bogle

WyoTech

Kaygen Bogle said she was excited about the recognition and ready to work with women like herself. 

“My family has always worked on cars, and we spend Sunday mornings watching car-building shows like the ones Jessi starred in. WyoTech offers everything I want in a school. This is a hands-on learning environment, and I didn’t want the ‘normal’ college experience. I wanted to be with students like me,” she added.

The trades have seen a modest but steady increase in diversity among men and women in the past few years. According to a 2018 study by the Center for American Progress, 7.3% of people who completed apprenticeship programs were women. According to data from the U.S. Department of Labor, the number is up roughly 4% in two years, with women making up 11.6% of those who completed apprenticeship programs in the 2020 fiscal year.

The Jessi Combs Foundation was founded in 2019 in honor of the late Jessi Combs, a renowned race car driver and WyoTech graduate.

For more information, please visit https://www.wyotech.edu.

To learn more about the Jessi Combs Foundation, please visit www.thejessicombsfoundation.com.

About WyoTech

WyoTech, formerly known as Wyoming Technical Institute, is a for-profit technical college founded in Laramie, Wyoming, in 1966. WyoTech provides training programs that prepare students for careers as technicians in the automotive and diesel industry with nine-month training programs that focus on hands-on experience.

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A rare ’68 Merc convertible with wood paneling treatment… Cool factor x100.

David Kirkel is the proud owner of a car that you don’t hear about very much. His Merc is a rarity with its paneling. 

David added…

“This is a rare convertible with 1 year only optional “Yacht Paneling.” Only 215 customers opted for the “Yacht Paneling” vinyl wood grain option generally only available on station wagons and some hardtops. It’s believed that there are only 15 convertibles left in running condition. The car is equipped with full power, 390 Marauder engine, factory AM-FM stereo, and A/C.”

If you would like your car featured in Reader Wheels click on the link below and tell us a little bit about your ride.

CLICK HERE

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What’s old is now new at the Barrett-Jackson’s Houston sale October 20-22 auction in Houston, TX. Resto-Mod collector cars, trucks and SUVs take center stage.

SCOTTSDALE, Ariz. – Barrett-Jackson will feature a diverse selection of highly desirable custom and Resto-Mod collector cars, trucks and SUVs during its 2022 Houston Auction at NRG Center, October 20-22, 2022. Led by a stunning silver-blue 1967 Chevrolet Corvette custom convertible (Lot #737) from renowned builder Jeff Hayes, other impressive builds on the docket include Tyler Hoover’s 1970 Plymouth HEMI Superbird custom coupe (Lot #720) and three certified Ford Mustang Eleanor Tribute Editions.

Well-known from his on-air role with “Barrett-Jackson LIVE” on FYI and The HISTORY Channel, Tyler Hoover is also an avid collector, and, for the first time, Hoover will be bringing five vehicles to sell with No Reserve at Barrett-Jackson’s Houston Auction. Among them is his beloved custom 1970 Plymouth HEMI Superbird (Lot #720), which began life as a real R-Code 426 HEMI, one of just 135 produced that year. Reportedly raced and wrecked with the original HEMI V8 long gone, the previous owner completed a custom build powered by a 528ci HEMI crate engine, recently dyno-tuned to generate over 500hp and mated to a TREMEC 5-speed manual transmission. Further enhancements to its everyday drivability include an aluminum radiator and high-capacity electric cooling fans, power windows, a custom stereo system and the added bonus of a Vintage Air system, as no HEMI Superbird was ever offered from the factory with air conditioning. 

Among the many popular Resto-Mod builds at Barrett-Jackson’s events are 1967 and 1968 Ford Mustang Eleanor Tribute Editions, and the Houston docket will feature three spectacular examples, all selling with No Reserve. Lot #443, Lot #728 and Lot #758 are all officially licensed and certified “Eleanor” builds, and each vehicle comes with genuine Eleanor certification paperwork, Eleanor body VIN plates and emblems issued by Gone in 60 Seconds LLC, the owner of the Eleanor licensing rights. Each build is unique throughout, but all three offer fans of Eleanor and “Gone in 60 Seconds” an opportunity to own a car of their dreams.

Known as “El Caballero,” a 1969 Chevrolet Camaro Pro-Touring custom coupe is powered by a Southern Performance System LS3 560hp crate engine mated to a T56 6-speed manual transmission. Having undergone a no-expense-spared, custom frame-off restoration, this Resto-Mod is impressive throughout. Riding on a set of Billet Specialties wheels, “El Caballero” is finished with a black exterior and gray houndstooth and black leather interior with German square-weave carpet and suede Alcantara headliner.

“The popularity of custom builds and Resto-Mods in the hobby has grown exponentially, and over recent years has expanded into classic SUVs and trucks as well,” said Steve Davis, president of Barrett-Jackson. “Only at Barrett-Jackson can you find the most remarkable builds, and our Houston docket features many examples, all selling with No Reserve.”

Highlighting the Resto-Mod SUVs in Houston is a 1972 Ford Bronco (Lot #752) finished in Boxwood Green and a 1970 Chevrolet K5 Blazer (Lot #764) that is the product of over 1,500 hours in a complete frame-off build. The ’72 Bronco underwent a complete rotisserie custom build, and the engine bay was fitted with a new Gen 3 Coyote engine backed by a 10R80 10-speed automatic transmission. Its 2-door Chevy counterpart, the ’70 K5 Blazer, is powered by its new GM LS3 430hp engine mated to a 4L75E automatic overdrive transmission with the original NP-205 transfer case.

It wouldn’t be a true Texas auction without several incredible pickup trucks, and Barrett-Jackson’s Houston docket delivers spectacularly. Affectionally referred to as “Cinderella,” Lot #717 is a 1957 Chevrolet 3100 custom pickup powered by a FiTech EFI 6.0-liter LS V8 engine paired with a 4-speed automatic transmission. This custom build by Premier Street Rods features a custom grille fabricated with a modified ’57 Bel Air center, along with a new bed with deleted chains. The silver exterior color derived from a 2001 BMW X3 complements the Ron Magnus gray leather interior with modern lighting and a Budnik steering wheel to match the wheels. For the more rugged truck buyers, a 1972 Ford F-350 custom pickup (Lot #722) is also crossing the block with No Reserve. Featuring a 6-inch BDS suspension lift equipped with Fox Shox and new 20-inch KMC wheels wrapped in Kanati Mud Hog tires, this truck is powered by a 5.9-liter 24-valve Cummins diesel engine paired to a rebuilt 6-speed manual transmission. 

Collector car enthusiasts interested in registering to bid for Barrett-Jackson’s 2022 Houston Auction may do so here. Those interested in being a part of the auction may also consign their collector vehicle here.

To purchase tickets and VIP packages to the event, click here. Join Barrett-Jackson’s online conversation with #BarrettJackson and #BJAC on FacebookTwitterInstagram and YouTube.

About The Barrett-Jackson Auction Company
Established in 1971 and headquartered in Scottsdale, Arizona, Barrett-Jackson is the leader in collector car auctions and automotive lifestyle events, which include authentic automobilia auctions and the sale of private collections. Welcoming over 500,000 attendees per year, Barrett-Jackson produces live collector car auctions in Scottsdale, Arizona; Palm Beach, Florida; Las Vegas, Nevada; and Houston, Texas, where thousands of the most sought-after, unique and valuable automobiles cross the block in front of a global audience. With broadcast partner A+E Networks, Barrett-Jackson features live television coverage of its events on FYI and The HISTORY Channel, as well as all the cars, all the time via its produced livestream on Barrett-Jackson.com. Barrett-Jackson also endorses a one-of-a-kind collector car insurance for collector vehicles and other valued belongings. For more information about Barrett-Jackson, visit www.barrett-jackson.com, or call 480-421-6694.

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AACA Museum has announced the winners of their Corvette raffle.

Hershey, PA – The prize drawing was held on Saturday, October 8, 2022, at the Museum. Congratulations to our winners and thank you to our sponsor, Turner Chevrolet, as well as everyone who supported this important museum fundraiser!

Jeff Goss of Carlisle, PA – 1st Place Winner of a new Corvette or $40,0000

Allan Bartron of Camp Hill, PA – 2nd Place Winner of $3,000

Joseph DeAngelo of Sewell, NJ – 3rd Place Winner of $1,000

Be the first to know when raffle tickets for a 2024 Corvette go on sale! Sign up now.

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On October 22, 2022 Savoy Automobile Museum in Cartersville, GA will host an evening with experts Ted Stephens of the Stephens Performance Collection and Tim Wellborn of the Wellborn Musclecar Museum, highlighting their collections loaned to the Savoy for the Big Block exhibit.

CARTERSVILLE, GEORGIA – On October 22, 2022 Savoy Automobile Museum in Cartersville, GA will host an evening with experts Ted Stephens of the Stephens Performance Collection and Tim Wellborn of the Wellborn Musclecar Museum, highlighting their collections, careers, and cars they have loaned to the museum for its current BIG BLOCKS exhibit. The program will begin at 7:00 p.m. in the Savoy Presentation Theatre. Prior to the lecture, a meet and greet reception, with a full cash bar and hors d’oeuvres, will take place in the Savoy Café from 5:30 p.m. to 7:00 p.m. Ticket information is available on the website at www.savoymuseum.org.

About the Speakers

Ted Stephens

Ted Stephens – As a young boy, the sixties and seventies Detroit Musclecar offerings – especially from MoPar, held a captivating interest for Ted Stephens. That interest placed him on a career path in the automotive aftermarket industry that would lead to the foundation of Alabama’s Stephens Performance – now the largest vintage MoPar parts and salvage operation in the world. The company supplies cars, parts, and support to the enthusiasts who share the passion of yesterday’s MoParmania. His interest has never waned, and over the years Ted has accumulated some highly desirable examples of the automobiles he has been so infatuated with from new. 

Tim Wellborn

Tim Wellborn – Tim Wellborn was raised in Ashland, Alabama and learned the spirit of entrepreneurship from his hard working father, Doug Wellborn. After graduating high school Tim went to work for the Wellborn family business, Wellborn Cabinets, Inc. At Wellborn Cabinets, Tim held the position of vice president of sales from 1980 until 1987. In 1987 Tim’s father established Wellborn Forest Products in Alexander City, and Tim worked with his father and brothers here from 1987 through 1996 as vice president of sales. In 1996, Tim became President, CEO and owner of this company.

Today, Tim and his wife, Pam, enjoy owning and managing several recent ventures. In 2009 they restored a 1950’s art deco automobile dealership building in downtown Alexander City, moved their extensive collection of 1969-1971 musclecars in, and opened Wellborn Musclecar Museum. The museum was quickly hailed by the Alabama Board of Tourism’s “Top Ten Things to See” in the state of Alabama. To date, the museum has received thousands of visitors from all over the world. Tim has contributed greatly to the preservation of our country’s musclecar heritage. He has over 40 years of experience collecting vintage musclecars. Tim is known among the car collecting world for his expertise of all things MoPar. He has served on the Talladega International Motorsports Hall of Fame Board since 1985. In 2008 Tim was presented with the prestigious Lee Iacocca Award. Today he enjoys being an announcer and sharing commentary at Mecum Auctions, especially when MoPar automobiles roll across the auction block.

Savoy Automobile Museum
3 Savoy Lane, Cartersville, GA 30120
770.416.1500
https://savoymuseum.org/

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Freddie Mercury’s personal 1974 Rolls-Royce Shadow will cross the block at RM Sotheby’s November 5th auction in London, UK. The proceeds to go towards building a new hospital in the Lviv province of Ukraine.

Freddie Mercury’s personal 1974 Rolls Royce Silver Shadow

Neil Fraser ©2022 Courtesy of RM Sotheby’sLEIDEN, THE NETHERLANDS – NOV 27, 1980: Freddie Mercury singer of the British band Queen during a concert in the Groenoordhallen. Courtesy of Alamy

London, UK – RM Sotheby’s announced the sale of Freddie Mercury’s personal 1974 Rolls Royce Silver Shadow. Mercury, the world-famous front man of Queen, unquestionably one of the biggest bands of the 21st century, acquired the car for his personal use in 1979, keeping it until his untimely death in 1991. The car then passed to his sister, who retained the car for many years.

The sale of the car presents a once in a lifetime opportunity to acquire a piece of rock and roll history, while at the same time benefiting a remarkable charity, Superhumans of Ukraine. The charity is raising funds to help build a brand-new hospital in the Lviv province of Ukraine. The hospital will help support the rehabilitation of adults and children who have suffered injures due to the conflict. The centre is being built with the intention to treat a proposed 3,000 patients per year, with the charity’s mission statement being ‘to transform Ukraine into a country of Superhumans rather than a country with disabled victims.”

Freddie Mercury needs little introduction to most people, having been one of the greatest, singers, performers and showmen, the music industry has ever known. By 1979, Queen has already enjoyed great success and were one of the biggest bands on the planet, and Freddie’s acquisition of his beloved Rolls Royce was a perfect way to celebrate that success. The car left the factory finished in Silver Chalice over a Blue interior, and was acquired by Mercury’s company, Goose Productions Ltd., in 1979. It became Mercury’s personal chauffeur-driven transport for the duration of Queen’s smash hit heyday, at a time when the band would record much of its best-known music.

Accompanying the car is a history file that features Mercury’s name on assorted workshop invoices. Curiously, much of the paperwork on file is recorded in the name of Mary Austin, Mercury’s former partner, who assisted the singer with the upkeep of the Rolls-Royce. A letter on file from Jim Beach, long-time band manager of Queen, verifies the car’s celebrity ownership. 

In a documentary film, Beach states: “We filmed the promo video for We will Rock You in the garden of Roger Taylor’s new Surrey mansion….and Freddie upstaged everyone by arriving in his brand new Roller’. He continues: “Freddie insisted that we sign all of the contracts, all of us together, in the back of the Roller, because this was the first Rolls he’d ever owned.” 

Film footage of Mercury arriving at the filming of the promotional video that day, is captured on film, with the cars registration number WLX 293M, clearly visible.

Beach also comments that upon Mercury’s passing in November 1991, the Silver Shadow continued to be driven by the rockstar’s sister, Kashmira Cook, who subsequently bought the car from the Freddie Mercury Estate in 2003.

Nick Wiles, car specialist at RM Sotheby’s, says: “This car is simply fantastic. It’s hard to find any music fan who doesn’t love Freddie Mercury, and he remains as big a name today as he ever was. This car represents a serious piece of history and the fact that the proceeds of the sale will benefit the amazing Superhumans of Ukraine charity, is wonderful. We are delighted that the owner of the car has entrusted it to us to deliver the best possible outcome for the charity.”

For further information on RM Sotheby’s London auction, please visit rmsothebys.com.

About RM Sotheby’s
RM Sotheby’s is the world’s largest collector car auction house by total sales. With over 40 years of proven results in the collector car industry, RM’s vertically integrated range of services, from auctions (live and online) and private sales to estate planning and financial services, coupled with an expert team of Car Specialists and an international footprint, provide an unsurpassed level of service to the global collector car market. RM Sotheby’s is currently responsible for seven of the top ten most valuable motor cars ever sold at auction.

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The Savoy Automobile is running the temporary exhibition ‘Fast Brass’ featuring vehicles built during the Brass Era (1890s – 1910s), highlighting large motor vehicles decorated with brass trim and brass headlights.

CARTERSVILLE, GEORGIA – Fast Brass is a temporary exhibition featuring vehicles built during the Brass Era (1890s – 1910s), highlighting large motor vehicles decorated with brass trim and brass headlights. During this experimental period in the automotive world, designing the best vehicles was competitive in the marketplace and on the race track. Many cars in the exhibition competed against each other in historic races, including the Vanderbilt Cup and the inaugural Indianapolis 500 race in 1911. 

Photographed, 1914 Stutz Bearcat, On Loan from Corky & Theresa Coker, The Coker Museum, Chattanooga, TN

Savoy Automobile Museum

NOW ON DISPLAY

1907 American Underslung On loan from Rob Kauffman/RK Motors, Charlotte, NC

1907 Renault Type AI 35/45 HP Vanderbilt Racer On loan from the Audrain Museum, Newport, RI

1909 ALCO “Black Beast” Racer On loan from Howard & Roz Kroplick, East Hills, NY*

1909 Buick Model 16 Racecar On loan from Indianapolis Motor Speedway Museum, Indianapolis, IN

1911 Mercer Raceabout Type 35C On loan from Jack & Drena Miller, Fayetteville, GA*

1912 Packard Model 30 On loan from Tom & Mary Jo Heckman, Newton Square, PA

1913 Ford Model T Speedster On loan from Thomas & Jill Lee, Newton Square, PA

1913 Inter-State Gentlemen’s Roadster On Loan from Corky & Theresa Coker, The Coker Museum, Chattanooga, TN

1913 Marmon Speedster On loan from Bill & Anne Marsh, Stone Mountain, GA

1914 Stutz Bearcat On loan from Corky & Theresa Coker, The Coker Museum, Chattanooga, TN

1915 Stutz “H.C.S.” Speedster On loan from Indianapolis Motor Speedway Museum, Indianapolis, IN

* Please note, the 1909 ALCO “Black Beast” Racer and 1911 Mercer Raceabout Type 35C will join the exhibit at a later date. 

1913 Inter-State Gentlemen’s Roadster On Loan from Corky & Theresa Coker, The Coker Museum, Chattanooga, TN

Savoy Automobile Museum

Savoy Automobile Museum is open to the public Tuesday – Sunday, from 10:00 a.m. – 5:00 p.m. Admission to the museum is complimentary for members. Non-members are $15 for ages 13 and older, $5 for youth ages 3 – 12, and complimentary admission is provided to children 2 and under and active military with ID. The museum is located at 3 Savoy Lane in Cartersville, GA. For more information, please visit www.savoymuseum.org.

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He kept his promise to the little old lady that sold him this stunning 1967 AMC Marlin.

This Marlin was something completely different — a curvy, handsome blend between a family car and the sports and muscle cars of the era.

Bob Wunrow still feels a touch of guilt when he recalls buying his lovely 1967 AMC Marlin from the original owner. He didn’t mean to fleece the little old lady that was selling the car. It sort of happened by accident.

“When I saw it for sale, she said she wanted $350 for it, and I said ‘Oh, $350?’ thinking that wasn’t very much,” recalls the resident of Wisconsin Rapids, Wis. “And she said, ‘Well I’ll take $300 then.’ Then I couldn’t get my money out fast enough!”

Even though the car had some rust issues and was going to need some work, Wunrow was thrilled with his low-budget purchase. He is a true AMC enthusiast and the perfect second owner for a car that was obviously loved and cared for by the woman who drove it home from the dealer showroom.

Before he got the car home, though, Wunrow had to make a promise. 

“When I came back to get it there was a note on the car that said, ‘Bob, when you restore this car please bring it back and show me.’ I had told her I was going to restore it because there had been a couple holes in the front fender and some rust problems. It needed to be restored.”

It took a while, but Wunrow held up his end of the bargain.

“It was almost seven years to the day,” he says. “I called up the number not knowing if she was still alive and the husband said yes, she’s still alive and she keeps asking, ‘When is that fella gonna bring back my Marlin and show it to me?’ When I came over there she was still in the same house and he wheeled her out and she was on oxygen and everything and she was so happy to see it. We opened all the doors and trunk and everything and she said it looked like brand new. I was really happy I got to show it to her. Then I read in the paper a few months later that she had passed away … but for several years after I would always see her husband around and he would look at it.”

By the time Wunrow adopted the Marlin, he was already a confirmed AMC fan. The Kenosha plant where the cars were made was only about three hours away from his home and Wunrow got hooked on them at a young age.

“My first car was a ’68 Ambassador, and I sold it when I bought my new ’77 Hornet AMX, which I still have,” he says. “I loved that Ambassador so much that I wanted another one and I then I saw the Marlin, and I always loved the Marlins, too. This is built on an Ambassador frame and the front is like an Ambassador so I just got hooked on that …I always liked the Ambassadors and when I was a kid I spent my summers in Kenosha and my uncle worked for American Motors and that was the first time I saw a Marlin.”

One of the Marlin’s most distinctive features was its tiny trunk lid. The curved deck lid was squeezed between the two large tail light assemblies and below the huge rear window, leaving plenty of room inside for cargo, just not much of an opening to get at anything.

UNCHARTERED WATERS FOR AMC

American Motors Corp. was venturing down a new path in 1965 when the company launched its mid-size Marlin hardtop coupe. At the time, the company had rarely strayed from its blueprint for small, practical, inexpensive compact cars.

This Marlin was something completely different — a curvy, handsome blend between a family car and the sports and muscle cars of the era. It was hard not to compare it to the Charger with their calling-card fastback rooflines. Where the Charger quickly became known as a muscle machine, the Marlin was something of a “tweener” — which should have made it appealing to different audiences, but instead probably hurt sales in the long run.

“Seeking a corner of this market untouched by the competition, AMC emphasizes Marlin as a sports-personal car for the entire family,” Motor Trend magazine opined. “This isn’t quite the contradiction in terms that it seems, for the head of the family spends a fair part of the day alone in the car. It is the only sports/ personal car capable of transporting six adults, so a family with several children does not have to be a 2-car family, though it probably will be anyway.”

For 1967, the Marlin was bigger and smoother looking, and the wheelbase grew by half a foot to 118 inches — sharing the same platform as the Ambassador. The hood was longer, the rear fenders featured a “Coke-bottle” profile and the lines of the Marlin were very Charger-like.

A look at the captain’s seat of the Marlin.

There were smoother body sides, a new rectangular gas filler door and Rally lights incorporated into the grille. Side marker lights could be seen on the trailing edge of the rear fenders, just ahead of the wraparound rear bumper ends. A full-length lower body molding followed the pattern seen on Rebels, arching over both wheel housings. The round medallion was removed from the trunk lid for 1967. The forward edges of the front fenders were decorated by V-shaped badges.

The cars came with one of three base engines: a 199-cid six-cylinder rated at 128 hp; 232-cid six-cylinder rated at 145 hp; and a 287.2-cid V-8 — called a 290 by AMC — rated at 200 hp. Buyers who wanted most gusto could upgrade to a four-barrel 290 rated at 225, or a 343-cid V-8 rated at 235 hp for the two-barrel or 280 hp for with a four-barrel.

A three-speed manual transmission was the base offering. Adding overdrive was a $115 upgrade on the Marlin. Bench seats were standard, and you had to pony up about $280 extra if you wanted buckets and a center console.

Plenty of room in back for the kids

Other noteworthy Marlin options included Adjust-O-Tilt steering, cruise control, 8-track stereo, air conditioning, electric clock, tachometer and vinyl upholstery, which was actually a $15 upcharge. The base factory price for the six-cylinder Marlin was $2,668. The 290 V-8 was about 100 bucks more.

Along with its sloping rear profile, perhaps the Marlin’s most distinctive feature was its tiny trunk lid. The curved deck lid was squeezed between the two large tail light assemblies and below the huge rear window, leaving plenty of room inside for cargo, just not much of an opening to get at anything.

For all its sporty styling cues and sleek silhouette, the Marlin probably rode and handled more like a big ’60s cruiser than a performance car. Measuring more than 201 inches from tip to tip and weighing at more than 3,300 lbs., it was not a bantamweight machine.

Wunrow’s Marlin sports the 343-cid V-8

In the end, only 17,419 Marlins rolled off the assembly line, including just 2,545 of the 1967 versions. In a tale that was similar to a lot of models made in the AMC family from the late 1950s through the early 1970s, the Marlins just never quite had enough corporate stability and enough marketing push to last very long.

“They stopped production on Dec. 31 of 1966. When 1967 started they had already ceased production of the ’67 Marlins,” Wunrow pointed out. “The Javelin was coming out and they were going to save their money for that, I guess. According to [the local dealer], this was the only ’67 Marlin he ever sold. He only got one in and that was it.”

44 years and counting…

Other than some rust issues on the front half of the car, Wunrow says his Marlin wasn’t a particularly difficult restoration project. The car had 88,000 miles on it and had suffered some of the ravages of Wisconsin winters, but mechanically it was excellent and the interior as like new.

By far the biggest challenge was figuring out what to do with the rocker panels — or lack thereof.

“The rocker panels were completely rusted off. There were no rocker panels. Behind the wheels, it was actually gone,” Wunrow chuckles. ““I used to work at Freeway and there was a guy that worked there that was a good punch-press, metal bending man and it was hard to find panels and stuff so he actually restored it for me. He actually made the rocker panels for me. He restored a lot of cars … Nowadays you can probably find the replacement panels, but back in 1985 there wasn’t much. He said he could do all that and repaint it. It was probably a good deal, he charged me $700 in 1985!”

“He painted the car, put all the metal in there. I bought the fenders, so he didn’t have to do those. The interior is basically the way I bought it. We never had to do anything with the interior. It’s like the back seat was never sat in, and the front was good.”

Wunrow kept the original two-tone color combination of Yuma Tan and Stallion Brown. Almost of all the trim pieces are original, too. 

“I never replaced any of the trim work. Luckily it’s not bad. Little by little I did find things like NOS taillights and NOS headlights and directional lights … bumper guards …. It didn’t have a hood ornament when I bought it, so I got that. The local dealer, Johnson & Sons, they actually had a hood ornament in their inventory. I couldn’t believe it.”

You don’t see touches like this on cars of today!

As Marlins go, Wunrow’s car was definitely on the fancy side. It had almost every available AMC option at the time, including air conditioning, tilt steering, power windows and tissue dispenser.

“I did some research and there are only about 5 percent of these cars had the power lift windows. You don’t see many AMC cars from the ‘60s with power windows,” he says. “It only has a headrest on one side .. that’s apparently how they ordered it, with just one headrest. And it does not have cruise control. That’s of the few options it doesn’t have. It’s got an AM radio. It’s a 343 four-barrel, high-compression. And AMC didn’t call it positraction, they called it “power twin wheels”. At a red light if I wanted to I could really smoke the tires because they both turn at the same time. It does have power. And of course it has the dual exhausts, being a V-8.”

“But I really drive it like an old grandpa. I don’t think I’ve heard that chirping sound in quite a few years [laughs].”

Wunrows put new tires on the Marlin this year for the first time since 1987 — the same year he got married. 

“This was our wedding car!” he says. “I bought new tires for it when we got married and they were still on it until recently, and they didn’t look too bad.”

Wunrow says his son has already called dibs on the car someday, so it’s highly unlikely the Marlin will be for sale again anytime soon — if ever. It’s lasted 44 years with its second owner and is an orphan that clearly landed with right forever home.

Like the original owner, however, Wunrow does have one request.

“I told my son there’s one thing that he can’t do to it; he can’t put any loud mufflers on it [laughs]. When I will it to him it will have stock mufflers on it, and when he owns it he can’t change the mufflers on it and make it loud.”

Wunrow has sure bagged himself one heck of a trophy fish with this Marlin.

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See the world with Gray Line Motor Tours. The story of The Grey Line Motor Tour Company.

The Gray Line offered convenience with a touch of class to riding comfort.

Some of the most opulent vehicles made by man were the carriers of the wealthy and adventuresome. We could elaborate on the virtues of Pierce-Arrows, Packards and endearing Peerless cars with custom workmanship. We could linger on the special-order designs for Cadillac and Lincoln, Stearns and Stutz, and a rafter of other names that have traced the advancement of motoring. We would additionally pontificate on the results exquisitely executed by specialty design houses of absolute character. We could envision the one-offs, true sole creations and rare survivors covetously collected today. We could add the multi-million-dollar motorcars that furthered the cause of motor creation. Even if we mentioned all these, we would still be remiss by neglecting mention of the largest classy customs ever to take to the road.

Hence, this installment.

In 2011, The Gray Line of motor tours reached its century mark. Its humble beginning dated to March 1910, a time when the roads of America were rough, at best; basic and rutted, in general; and, at times, impassable. But a fever had caught ahold of Americans. It was a wanderlust, an inner desire to see the land, to see what lay beyond the sunset and on the other side of the mountain. That temptation was destined to grow as the demand for personalized motor transport likewise rose. From 1910 through the 1920s, Americans discovered travel, and the nation would never be the same.

The Gray Line vision was masterminded by Louis Bush, who took an old Mack Truck chassis and made something special of it. He limited sightseeing trips to the Washington, D.C., area, and decided to paint the unit in blue and gray, colors popularized in American history during the Civil War. It wasn’t long before 1926 beamed its light and other large cities were added to the touring list. There was New York, a magnet for eastern travel. In the Midwest, Chicago cast its spell, and the automotive capital of Detroit was hardly far behind. New Orleans catered to the south while Los Angeles and San Francisco motioned for tourists to realize their spell. Add international sites such as Toronto and Havana, and you get a better picture of the meaning behind the wanderlust. The demand for custom-designed buses to experience these places in luxury was on the rise.

All this continued to mature as Harry J. Dooley took the reins of leadership in the post-World War I economy and boomed even more. He earned the accolade as “father” of the sightseeing industry.

To capture the feel of this advancement in the 1920s, let’s hitch a ride hither and yon.

For the novice, custom appointments were conducive to touring. An exterior view of the landscape was shrouded by a canopy and trimmed with decorative railing, as if an observation deck on the rear car of a train. Curtains with pullbacks graced each side-window post as open windows beckoned scenic scents to invade the lives of passengers. The buses were more than transportation; those were magic rides to vistas unknown to many travelers. That was a time when travel was an opulence, but one which more and more people were discovering.

Sidemounted spare tires added a classy air to the bus’s exterior, and large whitewall tires dressed up the affair. A wide range of stops enticed travelers. On a motor tour to San Francisco, Oakland and Berkeley, visits were made to Muir Woods, San Quentin, La Honda, Stanford University, the Petrified Forest, Santa Cruz and Del Monte. There were deluxe versions of western tours and smaller ones. For example, the Golden Gate Park, Cliff House and Presidio, or “Thirty-Mile Drive Tour De Luxe,” offered magnificent views of San Francisco from the summit of Twin Peaks. In 1927, it was a mere $2.50 fare. Passengers were picked up at and returned to hotels with no extra charge — quite a value in the Roaring Twenties.

The bus-building business had become a notable aspect of motorized progress. Magazines were issued on the subject, travel guides were released and design work gained momentum. Not all buses were brimming with ultra-comforts, but (as in the more recent age of custom vans and motor homes) builders and designers wanted a little extra they could offer customers to such a distinct advantage that business swung to the makers that were most innovative.

Building on the best of tour destinations was the Santa Rose and Petrified Forest Tour, called Trip #6 in a 1927 booklet by The Gray line. Fare was $10.50. This tour appealed “to the true lover of Nature” once the half-hour drive over the Golden Gate had been accomplished. Areas rich in orchard and vineyards beckoned. “Here is the Valley of the Moon, made famous by Jack London,” said The Gray Line copywriter. “It was in this region on June 14, 1846, the famous Bear Flag was raised proclaiming the California Republic.”

Less we forget, farmers liked to take tours. To see Sonoma County’s rich poultry area (that, in 1927, was producing more than $6 million in poultry income annually) had to trigger new ideas among those touring farmers. It was site to the largest hatchery in the country, “one incubator plant hatching 165,000 chicks at one time.”

On the lesser side of cost was a “See Chinatown After Dark” tour for an affordable $1.50. Near the top end was a fare of $12.50 to see Santa Cruz and Del Monte, a two-day excursion by bus. Even more could be seen on a three-day $47.50 plan including meals as riders explored major lengths of California. The Gray Line was shrewd in coupling with the Railroad Commission of the state by also encouraging tourists to partake of rail tour in a deluxe parlor car with “individual arm chairs seats, reserved for the entire trip, with hotel and meal accommodations at the finest hotels on the Pacific Coast.”

For thousands of early travelers, The Gray Line was their first experience in long or short tours.

The experience on buses designed to provide a degree of comfort and ease of mind was a strong taste of the luxury car field that was maturing and how, when income allowed, it was in the minds of many to renew their discoveries in classic custom settings, at the steering wheel of their own automobile.

Once people took to touring, there was no stopping the rush of innovation of vehicles with classic custom design.

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